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Reading Aurelian Craiutu’s “Why Not Moderation?” in a moment of uncertain polarisation and partisanship
Or, ‘Political labels be damn’
Nov 5
•
Matthew Lamb
7
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Reading Aurelian Craiutu’s “Why Not Moderation?” in a moment of uncertain polarisation and partisanship
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October 2024
Notes on the question of Australia’s Poet Laureate
Or, the first concern of a cultural diplomat
Oct 29
•
Matthew Lamb
4
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Notes on the question of Australia’s Poet Laureate
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August 2024
'Being shown the instruments of torture'
Or, the art and craft of biography
Aug 22
•
Matthew Lamb
4
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'Being shown the instruments of torture'
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July 2024
It Speaks: Biographers in Conversation
A Conversation on Frank Moorhouse: Strange Paths
Jul 3
•
Matthew Lamb
15
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It Speaks: Biographers in Conversation
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June 2024
Notes on Commensality
Or, why we should sit together more around a kitchen table
Jun 14
•
Matthew Lamb
5
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Notes on Commensality
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November 2023
‘When the facts conflict with the legend’
How does a biographer balance storytelling with the truth?
Nov 28, 2023
•
Matthew Lamb
5
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‘When the facts conflict with the legend’
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The Doors of Psychoanalysis
Or, Standing on the Outside Looking In
Nov 14, 2023
•
Matthew Lamb
7
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The Doors of Psychoanalysis
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September 2023
On Frank Moorhouse: Strange Paths
Reflections of an accidental biographer
Sep 12, 2023
•
Matthew Lamb
11
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On Frank Moorhouse: Strange Paths
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May 2023
Northrop Frye’s Four Levels of Literary Meaning
Or, the nuts and bolts of reading
May 17, 2023
•
Matthew Lamb
15
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Northrop Frye’s Four Levels of Literary Meaning
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November 2022
The Endurance of Things
On the literary imagination of Randolph Stow
Nov 28, 2022
•
Matthew Lamb
1
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The Endurance of Things
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October 2022
‘He waxes desperate with imagination’
Or, re-reading “Hamlet” with Margreta de Grazia and Luiz Costa Lima
Oct 17, 2022
•
Matthew Lamb
7
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‘He waxes desperate with imagination’
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A Substacker Reads Luiz Costa Lima in Australia and Bursts into Tears (with apologies to László F. Földényi)
On mimesis, fiction, and the control of the imaginary
Oct 3, 2022
•
Matthew Lamb
4
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A Substacker Reads Luiz Costa Lima in Australia and Bursts into Tears (with apologies to László F. Földényi)
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